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Scarier than fiction: climate worry driving ‘cli-fi’ boom

Blog note. Jesus indicated that ‘fearful sights’ (various natural disasters) would occur leading up to the time known as the Tribulation and Great Tribulation (a combined seven year period of great destruction on earth). Although these types of things have occurred in the past for centuries and thousands of years, they could be identified as the ‘season of the times’ due to the ferociousness of these events. They would be occurring in greater intensity, severity, frequency, size, duration, scope … just like the pains that a woman experiences in labor the farther along she is in the labor process. We are in the ‘season of the times’ that comes just before the seven (7) year Tribulation/Great Tribulation period
… And great earthquakes shall be in diverse places, and famines, and pestilences; and fearful sights and great signs shall there be from heaven. (Luke 21:11).
… And there shall be signs in the sun, and in the moon, and in the stars; and upon the earth distress of nations, with perplexity; the sea and the waves roaring; (Luke 21:25)
… Men’s hearts failing them for fear, and for looking after those things which are coming on the earth: for the powers of heaven shall be shaken; (Luke 21:26)
… This know also, that in the last days perilous times shall come. (2 Timothy 3:1)
Jesus is giving a series of prophecies about what to look for as the age of grace comes to a close. These verses are several of many such prophecies from throughout the Bible. 2017 was the worst year in recorded history for the intensity, frequency, severity, duration and occurrence of a large number of severe natural disasters worldwide. Earthquakes, volcanoes, hurricanes, typhoons, cyclones, torrential flooding, unprecedented wildfires in unusual places, devastating droughts, excessive/scorching heat setting records everywhere, record snowfalls in Europe and Russia. Snow in the Arabia. This list can go on. Most studied Eschatologists believe these ‘fearful sights’ and massive natural disasters are all part of the ‘CONVERGENCE’ of signs that this Biblical and prophetic age is closing. Most people who study prophecy are familiar with the routine reference(s) made that these things will be like a woman having labor.

Scarier than fiction: climate worry driving ‘cli-fi’ boom

Riwan MARHIC AFP•November 14, 2019

Paris (AFP) – Imagine a world where storms inundate coastal megacities, entire species become extinct in the blink of an eye, and conflicts are fought over dwindling natural resources.

Not so difficult in 2019, perhaps. (what about during a ‘7 year tribulation’?)

After a year of devastating extreme weather and worldwide unrest over the emergency posed by climate change, topics that used to belong to the realm of science fiction are finding their way into mainstream storytelling.

Back in 2004, Roland Emmerich’s disaster flick “The Day After Tomorrow” depicted a global weather catastrophe, with coastal areas devoured by the sea amid general meteorological mayhem.

Just 15 years on, scenes from the movie resemble images taken from real-life weather events today.

And as climate change makes superstorms, flooding, wildfires and droughts more likely, a new genre is gaining fatalistic fans the world over: “Cli-fi”.

“It’s catching on like wildfire,” said US writer and cli-fi aficionado Dan Bloom.

He credited US President Donald Trump, who has said he will withdraw from the Paris climate deal, with helping promote the genre.

“There’s a lot of people who say that climate change is not real,” said Bloom. “These people are making the rest of us very angry and as a result cli-fi is getting more and more power.”

Andrew Milner, a professor of comparative literature at Melbourne’s Monash University, said that cli-fi was yet to break out from sci-fi’s yoke — most people get into the new genre because they like the old one.

“Both its texts and practitioners — writers, readers, publishers, film directors, fans — relate primarily to the science-fiction tradition,” he said.

“(But) it is very clear that the sub-genre has grown very rapidly in recent years.”

– Global appeal –

Global protest movements such as the Youth Strike for Climate and Extinction Rebellion have heightened public awareness of the issue.

For J.R. Burgmann, co-author of “Science Fiction and Climate Change: A Sociological Approach”, cli-fi films and novels are a logical expression of an increasingly knowledgeable and concerned society.

“This rise is a response to real-world concerns,” he said. “And though I would argue that literature has been rather slow to respond to manmade climate change, it certainly appears to be making up for lost time.”

And, because climate change is a truly global problem, cli-fi has become a worldwide, multi-lingual phenomenon.

In France, two major television series focussing on dystopian but conceivable futures have received popular and critical acclaim.

“The Last Wave” tells the story of 10 surfers who go missing in bad weather. When they return they can’t remember what happened but some have strange new powers.

And “The Collapse”, set in a post-apocalyptic world where fuel is scarce, nuclear sites are threatened and medicines are rationed, debuted this week.

Recent cli-fi works from around the world include “Blackout Island” by Icelandic author Sigridur Hagalin Bjornsdottir, a Canadian adaptation of Jean Hegland’s “Into the Forest” and “Water Knife”, by US author Paolo Bacigalupi.

In “The History of Bees”, Norwegian author Maja Lunde’s 2017 bestseller, humanity is forced to pollinate their crops by hand after pesticides have wiped insects off the face of the Earth.

“People are more and more worried about climate change and authors write about what scares them,” Lunde told AFP last year.

– ‘Hard to ignore’ –

Novels and films about climate change are nothing new, of course.

J.G. Ballard’s “The Burning World” (1964) and John Brunner’s “The Sheep Look Up” (1972) depicted a world ravaged by environmental damage decades before scientists fully understood manmade climate change.

Even John Steinbeck’s generational “The Grapes of Wrath” (1939) is essentially a tale of the harrowing ordeal undergone by climate migrants from the Oklahoma dust bowl.

But, as leading cli-fi author Jean-Marc Ligny explained, greater public awareness and a seemingly unending string of drought, wildfires and heatwaves have made climate a topic that’s “hard to ignore”.

“Climate change needs stories, and readers need them to be told,” he said. “There are figures, statistics, but these don’t really say anything. Cli-fi makes people more aware of the situation.”

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